Hello Paul McDermott,
Tell our readers why you wrote “Spear of Destiny.”
My current book. The Spear of Destiny, was inspired by a combination of circumstances which were not ‘typical’ of my “general” creative processes. I lived in Denmark for a number of years and had the privilege of meeting people who had been active members of the Danish Resistance Movement (mødstandsbevægelsen). during WW2. I have attempted to redress the balance a little by raising awareness and offering sincere thanks. I’ve kept close to the recorded facts as we know them, but I’ve altered the names: these patriots have earned the right to have their anonymity preserved.
When the Danish billionaire Carsten Ree had the wreck of U-534 refloated and it was installed as a permanent exhibit in Liverpool’s Maritime Museum, the story almost wrote itself. The basis of the story appeared as my NaNo entry in November 2010, the end result of 30 days of madness and strong coffee!
The Spear of Destiny was a new departure for me. Although it’s based on real events in the closing days of WW2, and I had to make sure I had facts (names, dates etc.) accurate. I’ve kept very close to the recorded facts of the sinking of U-534 but I decided to add the Spear. I did this because of Hitler’s known weakness, superstition. He believes he has found a powerful secret weapon which he can use to turn the War in Germany’s favour. This light drizzle of fantasy in what is essentially an account of historical events is my way of adding an original slant to the yarn
One of the most satisfying things I took from writing The Spear of Destiny was having the opportunity to honour the memory of a number of real people alongside my fictional characters. One such hero is Captain Johnny Walker. Although he only plays a small role in my story, he was almost entirely responsible for the success of the Allies in the Battle of the Atlantic. General consensus is, he literally worked himself to death in the process.
The research was more extensive than I’d needed for my previous fiction work but it was satisfying.
About the Author:
Born in the Year of the Tiger, Paul’s natural curiosity combined with the deep-seated feline need to roam has meant that over the years he’s never been able to call any one place home. His wanderlust has led him from one town to another, and even from one country to another.
“I can’t remember a time when I didn’t write – my father claims to possess a story I wrote when I was six, which filled 4 standard school exercise books! What I do remember from that time was being told off for doing the Liverpool Echo crossword before he got home from work!”
While Paul was living in Denmark, he allowed himself to be persuaded to write for a purpose instead of purely for his own amusement. Perhaps it was the catalyst of breathing the same air as Hans Christian Andersen.
More about Paul at:
www.paulmcdermottbooks.webs.com
Blurb:
In 1945, U-boat Kapitän Herbert Nollau must deliver a weapon which will turn the war in Germany’s favour. His orders are delivered verbally. There will be no written records… and no witnesses.
Alone, far from home, hunted by the Danish Resistance and the might of the Allied Forces, he must obey either his final Orders…or the inner voice of his conscience.
Excerpt:
Überlojtnant Herbert Nollau stood with his Zeiss nightglasses glued to his eyes, impervious to the rain whipped across his cheeks by half a gale. This howled almost exactly at ninety degrees to the tide, which had just reached the full but had not yet begun its retreat. His command craft, U-534, sat uneasily at anchor, dipping at bow and stern in the current, yawing appreciably as frequent Force Ten gusts buffeted her broad flanks. Low, heavy rainclouds hunkered closer, seeming to settle on the upper branches of the natural pine forest which spread untamed, unculled, across the low hills of Schleswig-Holstein.
An identical pair of black Opel staff cars bracketed a canvas bodied Mercedes half-track transport wagon, all three vehicles picking their way carefully along an unmarked country road. The headlights were taped down to the size and shape of a feral cat’s vertical slits, acknowledging the strict rules governing all traffic during the hours of darkness. The road to the harbour just outside Lübeck was neither tarmac’ed nor enhanced with any form of lighting. The drivers were obliged to steer cautiously around every twist, using the gears and brakes more frequently than the accelerator.
“Amateurs!” he thought to himself, as the three sets of headlights crawled slowly closer.
He blanked the thought as soon as it intruded on his consciousness, forcing himself back into State-approved Wehrmacht thinking, based on purely practical matters directly related to carrying out current instructions, with maximum efficiency, without question. He pulled the collar of his oilskins closer around his throat in a futile attempt to prevent the rain from seeping through, soaking his uniform. Raising his night glasses once more, he cursed the weather, the Wehrmacht and the world in general, feeling more exposed and vulnerable with every minute that passed as he waited for the convoy of lights to crawl closer, carrying the equipment which he had been ordered to collect. It bothered him that he was expected to set sail immediately, and await orders concerning his destination by radio once he had cleared the bay and entered Store Bælt: technically, that section of the North Sea was neutral Danish waters, and if he were to remain on the surface for any length of time in order to receive orders …
As the lights snaked around another pair of curves and began their final descent to the shoreline and the jetty where U534 was waiting, Herbert Nollau realized that he had on board a much more powerful sender/receiver than any other U-boat: in fact, not just one but two radios equipped with the Enigma cryptographic programme had been installed, ostensibly for testing. With a sudden jolt, the deceptively young-looking Überlojtnant realized that this technology was far more sophisticated than that which had previously been regarded as the best in the world: apart from being guaranteed unbreakable as a code, it could also send and receive radio signals without his craft needing to surface.
He shook his head to clear the worst of the pools which had formed in the upturned brim of his sou’wester and made his way down the ladder bolted to the side of the conning tower, aiming to be waiting on the quay before the three vehicles wheezed to a halt. His mechanic’s ear analysed and diagnosed a list of faults he could clearly identify from the laboured chugging of each engine. Furious at this indication of inefficiency, a corner of his mind decided that he would have had the senior officer responsible for each vehicle court-martialled, if the decision had been up to him. In spite of the horrors he had witnessed in three years of naval warfare, he shuddered. His orders, distasteful though they might be, were crystal clear …
Two gaunt, silent shadows slid with simultaneous choreography from the rear seat of each of the Opels: their sleek black trenchcoats almost touched the planks of the jetty, glistening in the starlight as if the officers wearing them had been marching for hours in the rain rather than just stepping out of a warm, dry car. Nollau fired off his most formal salute: the four SS-officers responded with a world-weary, bent-elbow half-salute and pointedly refrained from returning Nollau’s “Heil, Hitler!” One detached himself for a moment and gave a hand-signal to the driver of the canvas-sided truck. The driver immediately hammered his fist twice on the bulkhead behind his seat. Four soldiers appeared over the tailgate of the wagon and began to manoeuvre something long and heavy out of the cargo space.
Turning to face his command meant that Herbert Nollau had to turn his back on the four staff officers. Somehow he managed to do this with an insolence which stated quite clearly that, as far as he was concerned, they were barely worthy of his contempt.
He placed a small, shrill whistle to his lips and blew, one long (but not overloud) blast. Within ten seconds, the deck was populated by about twenty matelots, standing at ease, who somehow contrived to arrive from nowhere and in total silence. Close to the bows, and just for’ard of ’midships , cables were deployed from two small jib cranes. Within seconds, the submariner crew were on the jetty, taking the unidentified cargo from the shoulders of the four soldiers and hoisting it with ease onto the foredeck, thence by some lightningfast legerdemain out of sight below decks. The crew had followed, leaving Überlojtnant Nollau as the only member of the Senior Service still on the jetty. At a silent gesture from one of the anonymous black trenchcoats the four soldiers climbed back over the tailgate, into the truck. After about four attempts, the driver managed to coax the engine into life and began to back and fill, facing back the way he had come.
As he completed the manoeuvre and gunned the engine to set off up the hill, the four SS officers opened their trenchcoats to reveal the muzzles of rapid fire MP40 machine pistols. With one accord they raised their weapons and sent round after deadly round of ammunition into both the cab and the rear of the vehicle, holding the triggers steady. Before the hail of bullets ceased, the fuel tanks of the wagon exploded, sending flames soaring high into the night sky, setting small fires in the tree tops as they lost their intensity and curled back towards the ground.
Suddenly, Herbert Nollau’s orders seemed fractionally less dishonourable.
Having emptied their weapons, the four executioners appeared to have rediscovered some of their habitual swagger and pride. Crashing the butts of the now-empty weapons against the rough wooden planking of the jetty they raised their right arms to the fullest, and screamed: “Heil, Hitler!” as their heels crashed together in perfect unison.
Sick to his stomach at the pleasure his countrymen took from the callous murder of fellow Germans, it was all Herbert Nollau could do to raise his arm, bent-elbowed, in the less formal salute he would never under normal circumstances have accepted from others nor used himself.
About the author:
Website: www.PaulMcDermottBooks.webs.com
My Facebook page is https://www.facebook.com/paul.mcdermott.7737
Also: www.whimsicalproductions.com and www.thewriterschatroom.com
The Spear of Destiny is available at:
Paperback exclusively at the Publisher’s website: http://www.classactbooks.com/component/virtuemart/historical-fiction/the-spear-of-destiny-detail?Itemid=0
Amazon: https://www.amazon.com/dp/B06ZZKRH5K/
Smashwords: https://www.smashwords.com/books/view/718491
Barbara has asked why I wrote The Man in the Lake. To answer this question, I have to go back over twenty years. I knew I was a writer, but I also knew I wasn’t making any money at it. I decided to write Murder Mystery Dinner Theatre. I put on plays at several different restaurants in our area. The first of these dinner theatres was The Man In The Lake.
BIO:
I’m posting his cover but Look closely for this when it comes out in fifteen days. It will be different.
Why did you write Sinbad’s Pride?
AUTHOR’S BIO:
Jeremiah is most auspiciously a sanguine personality type. He’s also a bit of an exhibitionist and a creative thinker. Because he likes to have fun most of the time, he may not think about the consequences of his actions. When he did his best to make Security crack a smile, it never occurred to him that he could lose his job over it. It is certainly ironic for a man who is such a people person to work in technology. Yet he finds Tech to be bothersome especially when it is not working for him.
About the Author
Allan Larson is one of the six major figures in CommWealth. Though two other characters eventually step forth to function as heroes, Allan is the consummate anti-hero whose absurd and puerile ambitions dominate this book. I’ve always thought of the characters in CommWealth as an ensemble cast in a movie, where accomplished actors divide the plot between them and no one actor has the lead role. The ensemble concept is apt for this novel, in which these characters form the core of the Forensic Squad theatrical troupe. The Cup of Fog coffeehouse in the fictional coastal Texas town of Linstar is their home base and forms the stage upon which the forces of the novel collide.
Michael D. Smith was raised in the Northeast and the Chicago area, before moving to Texas to attend Rice University, where he began developing as a writer and visual artist. In addition to exhibiting and selling paintings and drawings, he’s completed fifteen novels.
I hope you enjoy my blurb and peek into A Demon’s Witch.
Tony-Paul, tell me about your hero, his strengths and weaknesses.
“So…when are you going to write a sequel to Absinthe?” she asked, out of the blue one afternoon.
EXCERPT:
I wrote Eat the World because of my love for Mackinac City, Michigan, and Mackinac Island. I felt it was a great setting for a horror story. The island offered a naturally claustrophobic setting, and the mainland enough development to provide plenty of potential victims and carnage.
Rick McQuiston is 49-year-old father of two who loves anything horror-related. He’s had nearly 400 publications so far, and written five novels, ten anthologies, one book of novellas, and edited an anthology of Michigan authors.
Barbara Edwards Comments 